Scored against what a founder-led B2B studio needs in 2026: positioning clarity, profile completeness, posting consistency (3x/week target), content mix, engagement vs. follower base, and a clear path to inbound.
Blended health. Your personal profile is the strongest asset and was running at ~60% of its potential — two fixes today nudged it up. The work is excellent everywhere; the gap is consistency and setup, not talent. Apply the recommendations and the same content reaches multiples more people.
Two are already done on your LinkedIn. The rest are yours to apply — each has the exact copy ready, so it's a 30-second paste. Ordered by impact.
A founder broadcasting open-to-work undercuts the brand. Taken off. (Your separate "#HIRING" photo ring stays — that one's fine, you are hiring.)
I'm a filmmaker who got very good with AI. I co-founded S'QB Pictures in 2023 on a simple bet: a small, sharp team using AI could make broadcast-quality video at a speed and cost the old model can't touch. Three years in, the bet holds. We build films, ads, AI shows and web series, and the studio runs on pods instead of headcount. I started in the edit bay as a director, writer and editor, and I still think like one. Story comes first. AI is just the fastest way I've found to get a story onto the screen without a crew of forty and months of runway. What I'm focused on now: keeping the studio small enough to move fast, and reading the next twelve months of AI video before the rest of the market does. If you're building in this space, I'm always up to compare notes.
AI + film production house 🎬 Broadcast-quality video, any style. Films · Ads · AI shows · web series Pitch us a brief ↓
Filmmakers who got very good with AI 🎬 Broadcast-quality video at scale · Delhi & Mumbai See the work / brief us ↓
We make films that look like money 🎬 Live-action + AI · Brands · OTT · Ads Delhi & Mumbai · Brief us ↓
Co-Founder & Director, S'QB Pictures | Broadcast-quality AI video, built fast | Films · Ads · OTT shows | TEDx Speaker
Your Featured row is already strong. Once the trailer is public, pin it first — a feature-film debut is your best top-of-profile proof.
Verification needs your ID, so only you can do it: Page → Admin tools → Get verified. Then the page reshares Suraj's best post weekly + one original. LinkedIn's own data: 2x/week = 5x faster growth.
Your best work is motion, but the grid is mostly feed posts. Post 2 Reels/week (trailer cuts, before/after AI, motion-style range). The Content Engine tab already has 4 reel scripts ready to shoot.
Copy a post, open the right composer, paste. You keep the send button. (No free tool truly auto-posts to LinkedIn/Instagram without a paid API — copy → open → confirm is the reliable path.)
OpenAI is shutting Sora down. A year ago it was the model everyone name-dropped. Now the app goes dark in April and the API follows in September. If you buy AI video for a brand or a show, here's what that means: the tool is not the moat. Models rise and die on a 12-month clock. Sora out. Kling, Veo, Runway and Seedance pulling ahead, native audio now standard. Whoever you hire today will be on a different stack within a year. That's fine. The model is a paintbrush. What doesn't move: knowing which shot to build, how to direct it, how to cut it so it holds up on broadcast. That part took us years, not weeks. At S'QB we've shipped on every major model as they've turned over. Our clients never had to care which one was live that month. They cared that finished, broadcast-quality animation landed on time. Buy the craft and the pipeline. Rent the model. Has the model churn burned you, or freed you? Curious what you're seeing. #AIVideo #VideoProduction #GenerativeAI #ContentProduction
Pick a style. We can build your film in it. Realistic 3D. Anime. Claymation. Pixar-style. Pixel. Same scene, five looks, all AI, all broadcast-ready. This is the part most people don't know AI can do yet: not one house style, every style. We run product films, vertical shows and brand work through whichever look fits the brief. Which one would you put your brand in? #AIanimation #motiondesign #aivideo #animationstudio #claymation #3danimation #brandfilm #adfilm #VFX #createdwithAI #reels #explore REEL: one scene, 5 AI styles, hard-cut on the beat (12–15s). End card "S'QB · any style, via AI". Needs: 5 style clips.
Two of us. One year. ₹1.07 crore. People assume an AI video house means a server farm and 40 engineers. Ours is a small team built around pods, not headcount. We price by the finished minute and deliver in days, not weeks. That sounds small until you see the volume behind it: roughly 250 finished minutes a month when the pods run hot. What that buys a client: 50 minutes of finished animation in 30 days, not a quarter. A brand testing 30 cutdowns instead of betting on one. An OTT slate that doesn't wait on a shoot calendar. The hard part was never the AI. It was building a pipeline that holds quality at that speed, and saying no to the work that doesn't fit it. We're in roughly a 12 to 18 month window where this gap is wide open. After that, everyone prices by the minute. Right now, most don't. Building something in this space? Happy to compare notes. #buildinpublic #founders #AIVideo #startupindia #mediaproduction
Most brands shoot once and stop. The budget's gone, so the campaign is one film in one language in one aspect ratio. AI breaks that ceiling. One source film becomes 30 versions: languages, regions, festival skins, vertical cuts. No reshoot. You stop betting everything on a single edit and start testing what actually converts. Save this if you're planning your next campaign. DM "CUTDOWN" and we'll show you what one of your existing films could become. #adfilm #d2cmarketing #performancemarketing #brandmarketing #aivideo #contentstrategy #digitalmarketingindia #marketingtips #reelsindia 7 SLIDES: 1) "1 shoot. 30 ads. Same budget." 2) The old way 3) What changed 4) Localise without reshooting 5) Test 30 not 3 6) The S'QB math 7) CTA. Build in Canva.
Four seasons of a docu-show. Made with AI. When a century-old brand wants a recurring series, the usual answer is a long shoot calendar and a long bill. We took a different route: an AI-built docu-show, now four seasons deep. Why it worked at that scale: Recurring seasons without re-mobilising a crew each time. Period and archival moments rebuilt that no shoot could stage. A look locked once and held across every season. This is the quiet version of the AI argument. Not "robots make videos now." A real brand, a real slate, delivered at a pace and price traditional production can't touch. (Drop the cut in the first comment, not the body — LinkedIn throttles outbound links.) If you run a brand sitting on a content calendar you can't shoot fast enough, this is the model worth a look. #brandedcontent #AIVideo #contentmarketing #mediaproduction #storytelling
Everyone asks how two founders ship 250 finished minutes a month. The model isn't the answer. It does the heavy lifting on the frames. The volume comes from the pipeline around it: how briefs move, how we hold quality at speed, how the pod is built. This is a normal day. Brief in the morning, renders by noon, a human finishing the part that decides whether it's broadcast-ready. Want a look at the work itself? Link in bio. #behindthescenes #aivideo #videoproduction #studiolife #buildinpublic #animationstudio #reels #explore #contentcreator REEL: fast "day in a pod" cut (15–20s). Needs: 30–60s of raw studio BTS on a phone.
Pillars: 1 The Work · 2 The Edge (POV) · 3 Build in Public · 4 Use-case. Lane A = live shoot + AI in post · Lane B = AI-as-product. Windows: LinkedIn 8–10am / 6–8pm IST, Instagram 12–2pm / 8–10pm IST.
| Day | Channel | Format | Pillar / Lane | Topic |
|---|---|---|---|---|
| Mon 15 | LinkedIn · Suraj | Text | 2 | Sora shutdown → "buy the craft, rent the model" |
| Tue 16 | Reel | 1 · B | Same scene, 5 AI motion styles | |
| Wed 17 | LinkedIn · Suraj | Text | 3 | ₹1.07Cr, two-founder pods, price-by-the-minute |
| Thu 18 | Carousel | 4 · B | 1 shoot → 30 ad cutdowns | |
| Fri 19 | LinkedIn · Suraj | Text + video | 1 · B | 4-season AI docu-show case |
| Sat 20 | Reel / BTS | 3 · B | Day in an AI production pod | |
| Sun 21 | — | Engage | — | Comment on 10 posts; reply to the week's comments |
| Day | Channel | Format | Pillar / Lane | Topic |
|---|---|---|---|---|
| Mon 22 | LinkedIn · Suraj | Text | 2 | Microdrama is $14B in 2026; where India + AI Hindi pipelines fit |
| Tue 23 | Reel | 1 · B | Before/after: flat product shot → cinematic AI film | |
| Wed 24 | LinkedIn · Suraj | Text | 3 | A delivery that nearly broke: the 25-day cycle, honest lesson |
| Thu 25 | Carousel | 4 · A | 5 things AI does on a shoot you'd swear were impossible | |
| Fri 26 | LinkedIn · Suraj | Text + video | 1 · A | Premium ad craft, AI in post |
| Sat 27 | Reel | 1 · B | Claymation-via-AI spotlight, 12s | |
| Sun 28 | — | Engage | — | Engagement block + monthly mini-report |
Make Suraj and Shubham the operator voices people think of for "AI video at broadcast quality, in India" — before the 12–18 month arbitrage window closes.
Showreels, before/after AI shots, motion-style range, "1 shoot → 30 cutdowns". Proof.
Your takes on AI video, cost/speed, microdrama economics, the arbitrage window. Authority.
The two-founder house, the ₹1.07Cr year, hard calls, wins. Highest-engagement type on LinkedIn.
Problem → solution by vertical. Carousels that teach. Educational + quietly sales-y.